How to Avoid Graphic Design Analysis Paralysis, Part 2
Have you ever started a project with a graphic designer, then stalled because you’re not sure about the design option(s) you’re evaluating? Here are 10 ways to avoid analysis paralysis:
read the first 5 ways to avoid graphic design analysis paralysis here:http://rengraphicdesign.com/blog/2008/09/23/analysis-paralysis1/
6. Solicit opinions carefully.
You want to make an informed decision, so it’s likely that you’ll ask other people for their opinions. Small business owners generally ask family members and friends; employees of large businesses consult with their co-workers or conduct focus groups. These are perfectly legitimate ways to collect data, but it’s important to ask the right questions and it’s important to filter the data.
The way you ask for input affects the quality of the feedback you receive. Let’s say you’re in the marketing department of a mid-sized or large company. You send the design options to the sales manager via email without any information about the design development (your homework from item #1). Or perhaps you march into the next-level-up VP’s office with a hangdog look on your face and meekly ask, “Do you think it’s OK?” These methods will start an almost endless loop of indecision and/or refinements. Communicate what led up to the proposed design options and request specific feedback relative to the project’s objectives and parameters.
In focus groups, remove “Opinionated Oliver” who talks so much the other participants don’t have the opportunity to voice their ideas. Ollie might have some perfectly good information, but you can ask him individually instead of allowing him to monopolize the group. Listen to what the participants have to say about what the design options tell them about the product, service, etc. Don’t get caught up in their opinions about specific design choices.
If you go the F&F (family and friends) route, be careful to not get overwhelmed by their “helpful” suggestions of what else you can do. Listen, but filter. They may not realize that you already decided that your website is going to be only three pages with no fancy bells and whistles. Or that your print ad will be 2×3 inches, not a full page. You have your reasons — budget, time, etc. If you did your homework (#1) and need the project (#5), don’t allow their brainstorming to divert you from completing it.
7. Trust your decision-making skills.
You did your homework and solicited feedback. Your co-workers and superiors have all submitted their feedback or approvals in writing or trackable emails. In short you have all the information you need to make a decision. Now you need to trust yourself (or your decision-making group) and move forward with the decision. Yes, it’s scary if it’s your first time spearheading a project of a large magnitude, but if you need to have the project completed (#5), there’s no point in procrastinating.
8. Banish your fear.
Eliminate your fears of doing the wrong thing by understanding what’s important. Don’t worry “What if…” Have a sense for what kinds of design and marketing decisions will have an incrementally positive effect on the outcome. Understand that some errors, omissions, or poor design decisions won’t hurt the bottom line. Allay your fears further by careful proofreading. If it’s a critically important project, use at least two proofreaders — one who is familiar with the project and one who can give it a “cold read”.
9. Put it in perspective.
The only true emergencies are heart attacks and house fires. Sure, your project is important, but it’s not THE most important thing ever. Make a decision, stick to it, and move on to the next thing.
10. Pay ahead of time.
Need some extra motivation? Give your designer an up-front deposit. Membership based health clubs operate this way. They understand motivation wanes over time, so they assess a membership fee. Similarly, graphic designers understand that projects can stall mid-way and request money up front to give the client an “equity interest” and to ensure that they get compensated.
Think of the images you’ve seen in Westerns: big ranches, open space, cattle drives, cattle rustlers, and don’t forget, brands. The brands were seen on the flanks of the cattle, on the archway above the entrance to the big ranch, somewhere on the barn, and probably on the wax seal the ranchers used to close their envelopes. No huge marketing budget. Just consistency.
It turns out the roof is the ideal spot for grape drying — lots of sun, and away from foraging animals. Our dog loves both grapes and raisins, but they’re not good for him. The chickens adore grapes, but we don’t want to give them an unlimited supply. Sorry, animals, we like ’em too!